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Detail of a Wall, 2017, a sequence of pigment prints, 450 cm x 160 cm
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Agon, 2018, pigment print with interventions, wallpaper, various dimensions
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Flock I., 2018, two pigment prints, 50 cm x 75 cm each
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Hazira I. 2017, a sequence of pigment prints, various dimensions
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Hazira II., 2017, a series of pigment prints, an intervention on print, various dimensions
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Flock II., 2019, pigment print with interventions, 100 cm x 60 cm
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Alen and Elvis, 2017, a sequence, pigment print, various dimensions
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Flock III., 2018, a sequence, pigment print, various dimensions
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Bosiljka, 2017, a sequence, pigment print, various dimensions.
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Detail of a Wall, 2017, a sequence of pigment prints, 450 cm x 160 cm
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Flock III., 2019, pigment print, 60 cm x 100 cm
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Flock IV., 2019, collage, pigment print with found material, 120 cm x 80 cm
NICHT FALLEN
Hazira framed his picture. An obituary picture.
The fragile, broken frame was tapped over,
so it would hold for years to come.
In thick black letters, the writings on the tape,
that held together the frame, read
Nicht Fallen.
I exchanged the frame for one I bought in a supermarket in a near by town. 6,5 convertible marks. I brought two of them to Hazira. So that her past could safely be guarded behind the mass produced glass.
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Nicht Fallen is an ongoing project depicting landscape, individuals and communities marginalised by the war in former Yugoslavia. In its visualization, it uses various techniques, including video, image, found materials, collage, and text.